Friday 22 – Saturday 23 February 2013
Christian Albrechts University Kiel, Germany
in collaboration with Kiel Society for Film Music Research
We are pleased to invite proposals for papers in the broad theme “Silent film sound: history, theory and practice”, to be presented at a conference of the same name on February 22 – 23 at the Christian Albrechts University Kiel.
With a few exceptions silent cinema was never silent. Cinemas and other spaces of film exhibition were in fact rather loud places where music, voices and sounds intermingled during the screening.
Today public interest in silent cinema is on the rise. Film screenings with live accompaniment have gained popularity in recent years, silent films are shown in concert halls and at festivals and they are (again) staged as events and not simply as presentation of a piece of entertainment or art.
Music and sound for silent film are relatively young fields of study and most research focuses on the American tradition. With this conference we seek to expand the field for other – especially European – regions, and compare them with well documented American cases.
We aim to gather scholars from various disciplines, to discuss and reflect on current and historical approaches to the study of sound and music and moving images. We particularly encourage both musicologists and film scholars to participate in the debate surrounding this topic, in order to benefit from each other’s perspectives and to challenge prevailing views and methodologies in this
Ultimately, we aim to strengthen the European and international research network concerned with the variety of sound and musical practices in silent film accompaniment. We also want to discuss contemporary practices of silent film accompaniment and explicitly invite musical practitioners to share and discuss their experiences with us.
Papers may address repertories or issues relating to one of the following areas (or others related to the conference theme):
- Film narrator/lecturer
- Sound effects in silent film exhibition
- Relationship of cinema with antecedent theatrical forms like Vaudeville and Variety
- Relationship with theater music, opera and musical theater in general
- Early film and the music recording and publishing industry
- Singers in cinema
- National and regional idiosyncrasies of silent film sound
- Gender aspects in production, performance and reception
- National Identity in musical forms (community singing)
- Diegetic Music in Silent Cinema
- Silent film and popular music/jazz: improvised or compiled (structural and formal issues)
- Mechanical Music
- Opera films, music films
- Early transmedial star systems
- Historical discourse about music in cinemas
- Issues of research, teaching and knowledge transfer
- Contemporary practices of silent film accompaniment
- Experimental silent film and its accompaniment
Proposals (max. 350 words) for 25-minute presentations should be sent to Claus Tieber (firstname.lastname@example.org), no later than October 15, 2012. Please include a short biography, all current contact information (name, e-mail, phone number, affiliation) and specific AV requirements.
We plan to publish a book based on the refereed proceedings.